"Pride and Prejudice" Refashioned!
Review by Ronica Wahi
Unmarriageable: Pride and Prejudice in Pakistan
By Soniah Kamal
First published: January 15, 2019, Allison &
Busby.
Pages: 384.
ISBN: 9780749025151
“…Characters’ emotions and
situations are universally applicable across cultures, whether you’re wearing
an empire dress, shalwar
kurta, or kimono.” (p. 262)
So says Alys – Alysba
Binat, the female protagonist of Soniah Kamal’s Unmarriageable:
Pride and Prejudice in Pakistan. Since
this is a retelling/adaptation of Jane Austen’s beloved novel, Alys is clearly
the counterpart to Elizabeth Bennet.
Even though the main plot
and the characters are well-known, Unmarriageable
has much newness to offer. The novel shows what
Alys says in the comment quoted above – the emotions and situations presented
by Austen are picked up for they are as valid in Pakistan of 2000-01. But with
the similarities, there are differences too.
In this postcolonial tale,
the culture and the vibe of the subcontinent comes through really well. There
are the local settings, traditional attire, food items, native words and style
of expression, and that dash of Punjabiyat here and there that people of
Pakistan, India, and Bangladesh can relate to, of course, and that people from
other parts of the world can learn about.
Like Jane Austen - or Jane
Khala, as Kamal calls her, “one of those honorary good aunts who tells it
straight and looks out for you” (p. 18) - does, Kamal reflects with observation
and wit on the society she presents. The marriage game, the class issues, the
narrow but yet prevailing definitions of feminine charm and beauty, the double
standards that disadvantage women are among the ideas discussed. Kamal also
comments on the threats that women face, which are normalized enough to not
evoke the kind of strong reactions that they ought to – for instance, Farhat (or,
‘Fart’) Kaleen, counterpart to Mr. Collins, feels the need to point out that he
wouldn’t throw acid just because his proposal was rejected and there is no
outrage on such a remark, not even from Alys’s family members who heard this.
Happily, but, Unmarriageable is a feminist take on Pride
and Prejudice. In
effectively showing the changing times and the coexistence of people with conservative,
moderate, and liberal outlooks, it shows that steps in the right direction are
being taken. So, though Alys – a smart, well-read career woman - teaches at a
school that strives to groom girls into “the best of marriageable material”,
Alys herself strives to inspire those girls to aspire beyond attaining the
status of a wife and a mother. Valentine Darsee, Darcy’s counterpart, displays
his respect towards women through some of his dialogues and actions. Also, the
fact that he and Bungles, Bingley’s counterpart, two very eligible bachelors,
marry women over thirty and older than themselves is a nice change.
In the reflection on the
kind of frivolous and silly people who inhabit this society, there is much
humour to be found. Certain scenes can even make the reader laugh out loud –
such as the one at the clinic wherein Mrs. Binat (playing Austen’s Mrs. Bennet)
and Lady (Austen’s Lydia) prove to be utter embarrassments.
As mentioned above, this
book is not a replica, even though the plot and the characters are so much like
the classic. Accordingly, the narrative, the language, and the pace of the
narration do not replicate Austen’s work, but reflect the time and the place in
which the action unfolds.
At the end of the book, in
a section entitled “Pride and Prejudice and Me”, Kamal says,
“As I read and reread Pride and Prejudice, Elizabeth Bennet and every other character ceased
to be English – to me, they were Pakistani.” (p. 373)
And she does manage to turn
them so. Pride and
Prejudice exists within Unmarriageable not only through the plot but also through repeated
references to it. Alys teaches Pride
and Prejudice; she lovingly
repeats the story so often that she almost as if manifests it into her own life.
The narrative ends with Alys and Darsee in Austen’s House Museum in Chawton
village in England reading together the famous first sentence of the original, giving
the sense that Jane Austen is indeed the one who has orchestrated their lives
too.
This adaptation adds new
dimensions and issues, for sure. However, there is one aspect in which it falls
short: the aspect of romance. This aspect did need more space to blossom. The
scenes of Elizabeth and Darcy make the heart flutter on the nth read; the
scenes of Alys and Darsee do not affect similarly. One thing that could have
been avoided is the closeness to names in the original; true, the similarity
does help instantly recognize whom the character in question is modelled on,
but since the plot is largely retained, a bit of less similarity would not have
been an issue. For as they stand, some of the names do sound awkward.
It is a truth universally
acknowledged that it is hardly easy to produce an engaging adaptation of a work
that has stood the test of time. But Soniah Kamal has done quite a fine job
overall.
While it is possible to
enjoy this book without having read Pride
and Prejudice ever, it would
be a good idea to read the original too to be able to appreciate how this one
uses and deviates from the original.
Certainly worth reading!
To know more about Unmarriageable, and Soniah Kamal’s experiences, writing, and
thoughts, do watch her interview here:
https://www.youtube.com/watch?v=guLmjELjgvA
Amazon India link for Unmarriageable: Pride and Prejudice
in Pakistan (Kindle): https://amzn.to/3IFnGEo
Amazon India link for Unmarriageable: Pride and Prejudice
in Pakistan (Paperback): https://amzn.to/3IGFjDT
Amazon India link for Unmarriageable: Pride and Prejudice
in Pakistan (Hardcover): https://amzn.to/3GBlITH
Amazon India link for Unmarriageable: Pride and Prejudice
in Pakistan (Audiobook): https://amzn.to/3EHGoJb
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